A Midsummer Night’s Dream

Trust House Theatre, Rathkeale College, Masterton Saturday 1 – Wednesday 6 July 2016

Reviewed by David Famularo

fairies

A Midsummer Night’s Dream is all about magic. And there is plenty of magic in this production by the Rathkeale/St Matthew’s senior college. To the point where there is a touch of melancholy coming back to reality when the lights go up and you are back in your car heading home.

The fine line between reality and dreaming is one of the many intriguing and entertaining themes Shakespeare explores in Dream. He saves one of his best lines on this theme for the end of the play, spoken by the spontaneous and unpredictable fairy Puck:

“If we shadows have offended,

Think but this, and all is mended,

That you have but slumber’d here

While these visions did appear.”

Dream is one of Shakespeare’s most popular plays, and deservedly so. It is brimful with some of his most quotable lines, most famously “The course of true love never did run smooth.” It’s a credit to this cast, its co-directors Joanne Simpson and Matt Hudson, and production team that the audience is able to dine out so fully on the language.

This is a visually and aurally sumptuous production that makes it easy to believe in fairies. You are consistently led from one pleasant surprise to another, not the least being two songs sung beautifully in the middle of the performance.

One of the strengths of this production is that it captures the unique nuances of each of the four relationships in question. For example, at first we are meant to despise the forced love of the Theseus, Duke of Athens over his conquered bride Hippolyta, Queen of the Amazons. But their love grows in a way that makes sense within the world of power in which they are fated to exist.

I like to call Coronation Street the Shakespeare of soap operas because like the Elizabethan playwright, its writers know the human heart. In places, the plot in Dream plays like one of those story lines in Coro Street, with misunderstandings, mistaken identities and general confusion.

Shakespeare gently exposes the flaws in each of his characters but ultimately Dream manages to find good in everyone. Anger is just a momentary confusion on the way towards a normal state of happiness and peace.

In between his musings on the nature of reality, and the magic of romance, Shakespeare still finds room to tease the more amateur thespians of his generation, who become a group of bumbling amateur actors putting on a play to impress at the wedding of Theseus and Hippolyta.

Even here Shakespeare can’t resist creating a fourth dimension by holding a play within a play, much like artists and film makers have used mirrors and reflections to create infinity. He even manages to embed the Romeo and Juliet ending into his amateur production. Clever.

It was Aristotle who coined the term “suspension of disbelief” for the way humans will suspend normal day-to-day reality while enjoying storytelling, whether around a fire, in a book, or watching a play or film.

With its beautiful fairies, stunning stage sets and excellent acting, this production made the leap from reality to fantasy an easy one, and delivered its opening-night audience into the enchanting slumber of a midsummer’s night dream in the middle of winter.